The musings of one Andrew Langer - defender of liberty, passionate protector of individual rights, foodie. (Note: Said Musings of Andrew Langer are his own, and the views represented herein are likewise his views, and not the views of any other people, entities, foodstuffs, etc [unless otherwise specifically and explicitly noted].)

Tuesday, August 29, 2006

My Top 10 Anti-Statist, Pro-Liberty, Pro-Freedom Songs

I’d been meaning to put this list together for some time – along with my list of top pro-freedom, anti-statist films out there. The National Review came out with their list of top “conservative” rock songs (http://article.nationalreview.com/?q=NzZkNDU5MmViNzVjNzkzMDE3NzNlN2MyZjRjYTk4YjE=). I agreed with some of the entries – but their list was: a) limited to what they considered “conservative;” and b) to rock songs.

Obviously, music is a medium that effectively communicates the passionate beliefs of both the singer and the songwriter – more effectively, perhaps, than any book or pamphlet or even TV. Now, it goes without saying that I don’t look to artists for my political cues, but that being said, I like a good protest song.

And to me, I’d rather see a list of songs about freedom, and the struggle for freedom against the forces of tyranny and statism. So, I diverge from the potentially-schizophrenic “conservative list”. What’s more, my list isn’t confined to traditional “rock” music – it includes folk, a show-tune, and a rap song. I share some artists with the NR list, and one song (but more on that in a moment)…

10) Freedom Is A State of Mind (Peter Udell - The Shenandoah Soundtrack)

This is a song I’ve had in my head since I was a kid going to Fieldston camp when I was five. I didn’t know until a few years ago where it came from – all I knew was the truism, “Freedom’s in the state of mind!”. Yes, it was 1976, and yes, a song like this was par for the course that summer, nevertheless, it was a lesson that Fieldston ought to keep teaching, over and over again.

Incidentally, that summer of 1976 was an important one for me, politically, as I began to learn those important lessons as to who we are as a people and why. If you’re not into seeing “Shenandoah”, then I recommend another great musical in this vein (and a better one, as far as I’m concerned): 1776. It’s the story of the crafting of the Declaration of Independence, set to some very stirring music.

9) Philadelphia Freedom (Elton John)

Again, in the Bicentennial vein – though this single was released in 1975, it became very relevant the following year. Yes, it’s kind-of a disco tune, but how many disco songs have lines about living and breathing freedom?

8) The Patriot Game (authored by Dominic Behan, I prefer the version by the Clancy Brothers and Tommy Makem)

You don’t much more stirring or passionate songs about liberty than those written about Northern Ireland’s struggle against the British. I write more about the Clancy Brothers’ Carnegie Hall album below, but I single out “The Patriot Game” here. If you’re looking for a freedom-loving lullaby for the kids, this one’s a winner.

7) Find the Cost of Freedom (CSNY)

There were a number of Crosby, Stills, Nash and Young songs I could have put on this list (Ohio and Long Time Gone come immediately to mind), but “Cost of Freedom” sticks for its simple message: Freedom is a constant and self-sacrificing struggle.

6) Sunday, Bloody Sunday (U2)

New Year’s Day, Pride, and a number of other U2 songs come close, but if we’re talking about the hardest-hitting, hardest-rocking song of the modern-era struggle in Northern Ireland, Sunday, Bloody Sunday stands head-and-shoulders above the others.

5) Free Will/Tom Sawyer/New World Man (Rush)

Ok, so I break my promise here and choose not to select one Rush song. Why? Because all three of these songs stand together as representing Rush’s commitment to individual rights. Though “Free Will” probably has the best pro-liberty lyrics of the three (“If you choose not to decide, you still have made a choice.”, “New World Man” and “Tom Sawyer” are somewhat better songs.

4) Biko (Peter Gabriel)

The couple of times I’ve seen Peter Gabriel in concert have stood out for a number of reasons, but probably the most singular moments have been the live performances of this song. People get to their feet and raise their fists in honor of the memory of Steven Biko, who died in the struggle for freedom in South Africa in 1977. The “eyes of the world” did watch, and liberty was eventually won.

3) Freedom (Richie Havens)

Maybe some others wouldn’t put this impromptu, singularly simple song near the head of their list, but I do. At a time when liberal statists were duking it out with conservative statists trying to keep hold of power, Richie Havens reminded his brethren that in the end, it wasn’t about some nebulous idea of social justice, it was about freedom.

2) Fight The Power (Public Enemy)

When I did my radio show, I liked to juxtapose the quiet folk music of Bob Dylan with the thunderous rap of Public Enemy. Dylan and Chuck D are both poets, with similar messages, but severely contrasting methods. Scary as it might be to some, Chuck D hits the nail on the head: for an oppressed minority, opposing the power structure is the only way to transform society. And America is a nation where the power of the majority is held in check by the rights of individuals.

Perhaps I should put this song together with it’s sibling from the “Fear of a Black Planet” album, “Welcome to the Terrordome”. The two songs go hand-in-hand, inasmuch as Terrordome makes it clear that this struggle is an intellectual and mental one, not a violent one (“When I get mad I put it down on a pad…”).

But while Chuck D directs this message at people of color, it’s a message for all of us who fight the same struggle: too much power in the hands of any one group, especially the government, is a bad thing, and we must oppose it at all turns.

1) Won’t Get Fooled Again (The Who)

Alright, so this is where the NR list agrees with mine. But I will say that “Won’t Get Fooled Again” has been at the top of my list forever, long before the NR even contemplated making such a list. If The Who are the greatest rock band of all time (and in my estimation they are), then “Won’t Get Fooled Again”, as the Who’s best song, is the greatest rock song ever.

It has everything: great music, thunderous guitars and drums, it tested the bounds of musical technology (for its time), and it’s got a hard-hitting message.

The “Lifehouse” concept from which the song, and the album “Who’s Next” emerged, is one of several artistic endeavors into the subject of the individual versus society (Rush and Styx had their own versions, for instance, discussed below). “Baba O’Riley,” “Going Mobile,” “Pure and Easy,” and “Join Together” were further reflections on this theme.

But “Fooled Again” is at the pinnacle – with its celebration of freedom and its dire warnings against trusting politicians, it continues to stand the test of time.

Close, But Purposely Left Off:

1) Mr. Roboto (Styx)
Styx, The Who, and Rush have all written rock operas (or, at least, made concept albums) about the concept of tyrannical states destroying individual rights (generally as regards the public’s right to rock). In Styx’s iteration, Kilroy Was Here, the hero, Kilroy, evades capture by the statists by hiding in a robot. But instead of simply railing against an evil central state’s abuse of the public’s rights, Styx takes it a step further, turning Mr. Roboto into an anti-technology anthem.

In the end, it’s the same statist, liberal dogma: we’ll gladly exchange one overbearing, statist government for one made in our image.

A Whole Album To Check Out:

Really, if you want an entire album to get your pro-freedom blood pumping, I recommend The Clancy Brothers and Tommy Makem’s “In Person at Carnegie Hall”. From start to finish, the album contains gem after gem of pro-liberty music. Johnson’s Motor Car is an anthem about rapidly responding to a British attack on Irish rebels. And even the Childrens’ Medley takes a turn at instilling the importance of freedom in wee-ones.


Other folks have been working on their lists, too. Russell Roberts’ “Café Hayek” blog has his list of “Classical Liberal” folks songs (http://cafehayek.typepad.com/hayek/2006/02/folks_songs_for.html ) - like him, I love the song “Joe Hill”, despite the fact that it’s a labor-organizing song. And Bryan Caplan has his list of “Punk Songs for Classical Liberals” on the EconLog blog: http://econlog.econlib.org/archives/2006/02/punk_songs_for.html

Yes, I probably could have had some Clash, Ramones, even a Dylan tune – and there are some that are close to that top 10. But I’ll leave it here, and look forward to some recommendations from others.

- Andrew Langer

7 Comments:

Blogger The leftist southpaw said...

"Philadelphia Freedom" was inspired by and written for Billie Jean King, a good frined of Elton John. She founded world team tennis, and the name of the team in Philly was the Philadelphia Freedom. It was also a tribute to her fighting spirit, as she was always advocating for female equality, in sports and in life.

It has nothing to do with the bicentennial or American freedom, although it may have been adopted as a theme.

August 30, 2006 12:49 PM

 
Blogger Andrew Langer said...

Actually, that's not entirely the case. While Elton John dedicated the song to Billie Jean King, and that the team King founded and coached was the "Philadelphia Freedoms" (not freedom, singular), the actual story is that John wrote the song _for_ her, not _about_ her.

King and John mutually admired each other - that's true - and King presented John with a custom-made track suit, in exchange for which, John made his promise of writing a song.

On the issue of the Bicentennial, King herself had this to say about her relationship with John, and the song, "“Elton and I have known each other since 1973,” says King, with more than a hint of fondness in her voice. “I remember he would sit on the end of the bench and watch our team play.”"

"Elton’s time on the bench was obviously well spent, as it resulted in John writing the number one single, Philadelphia Freedom, which he graciously dedicated to his friend (her WTT team was of the same name). King was flattered by the gesture. “It was wonderful,” she says. “It was the Bicentennial year, and together, it was like our little gift to that great city.”"

Furthermore, if you read the lyrics, there's nothing about BJK, tennis, nothing about her fighting spirit nor female equality.

Let's just look at a couple of lines:

"`Cause I live and breathe this Philadelphia freedom
From the day that I was born I've waved the flag
Philadelphia freedom took me knee-high to a man
Yeah gave me peace of mind my daddy never had."

or

"I liked living easy without family ties
Till the whippoorwill of freedom zapped me
Right between the eyes"

That's not a tribute to anyone's fighting spirit, but a tribute to the security of American freedom and its ability to transform.

Incidentally, Philly radio station WFIL released a special Bicentennial edition single of Philadelphia Freedom.

Now, perhaps John thought that King represented what was greatest about America and its particular brand of freedom, that King's success, her achievements both on and off the tennis courts, were embodiments of that freedom.

I don't know if you remember Bicentennial fever, Kess, but it was going strong in the few years preceding 1976, and a great deal of that fever centered on the most famous locations of the Revolution (Philadelphia, for instance, as the locale of the Continental Congress and the home of the Liberty Bell, as well as the environs of Boston, and Yorktown, Virginia).

So, there's no doubt (in my mind, at least) over the confluence of these forces and the authorship and release of this song by Elton John.



Sources:

http://www.insidebayarea.com/music/ci_4120350
http://www.songfacts.com/detail.php?id=2475
http://www.harrisburgmagazine.com/full_story.php?sid=183&issue=27

August 30, 2006 4:54 PM

 
Blogger The leftist southpaw said...

That's what I said. For her. I never said "about her"

You write "Furthermore, if you read the lyrics, there's nothing about BJK, tennis, nothing about her fighting spirit nor female equality."

Don McLean wrote "American Pie" to define an event and a generation, none of which are referred to directly. He uses something called "symbolism."

In "Philadelphia Freedom", he writes in the last verse

If you choose to you can live your life alone
Some people choose the city
Some others choose the good old family home
I like living easy without family ties
Till the whippoorwill of freedom zapped me
Right between the eyes

Is it possible that Elton was saying: BJK came from a working class "family home," and her fame took her to the "city." SHe was enjoying her life, living easy, until she realized that women and men were not experiencing the same "freedoms." As she is "zapped between the eyes", by the so called "freedoms" of America that were distributed on an uneven keel, she was moved into action.

According to other sources:

The Elton John song "Philadelphia Freedom" is a tribute to King (see [1]). John was and is a friend of King's. On the aforementioned PBS program, John talked about how he brought a demo copy of the record to spin for her right after he had recorded it. (Wikipedia)

Single copies of "Philadelphia Freedom" carry Elton's dedication to "B.J.K.," as well as to "the soulful sounds of Philadelphia" -- www.superseventies.com

Elton wrote the song chiefly as a tribute to Billie Jean King, the
legendary tennis player. Back in the 70s, she had a tennis team called
the Philadelphia Freedoms. Elton and Billie Jean became excellent friends
in 1973 and, in '74, he decided he wanted to write a song in tribute to
her. (about.com)

I remember the bicentenial. Just because the mob adopts a song for a specific event does not make it necesarily about that event. I also remember in 1984, everyone adopted "Born in the USA" as a patriotic song, when in fact it was written as a protest, to illustrate how vietnam vets were ignored upon their return.

August 31, 2006 9:48 AM

 
Blogger Andrew Langer said...

To respond, point by point:

> That's what I said. For her.
> I never said "about her"

Likewise, I didn't originally say the song was about "the bicentennial" or specifically about "American freedom". I offered it in the "Bicentennial vein" - a la when I first heard tune #10 on my list, and because of the confluence of the release of the song and the time in America (which BJK herself talks about).

Also, my list was about pro-freedom songs, not strictly limited to "American freedom".

The song is about freedom, as I said, and it's release in 1975 is more than coincidental (as admitted by BJK herself).

> You write "Furthermore, if you
> read the lyrics, there's nothing > about BJK, tennis, nothing about > her fighting spirit nor female
> equality."

Nothing even alluding to those things, unlike "American Pie".

> Don McLean wrote "American Pie" > to define an event and a
> generation, none of which are
> referred to directly. He uses
> something called "symbolism."

Actually, the technique he uses is the "allegory" - an extended metaphor to tell a story with many layers.

McLean, in fact, makes direct reference to the tragic Buddy Holly plane crash, as well as making oblique references to the deaths of other famous rockers.

With the exception of the title phrase, which riffs on the name of King's tennis team, John makes no direct or indirect references to BJK within the song. No, he _dedicated_ the song to her.

I've been referenced in the dedication to a book, Kess. That didn't make the book about me.

> In "Philadelphia Freedom", he
> writes in the last verse

> If you choose to you can live
> your life alone
> Some people choose the city
> Some others choose the good old
> family home
> I like living easy without
> family ties
> Till the whippoorwill of freedom > zapped me
> Right between the eyes

> Is it possible that Elton was
> saying: BJK came from a working > class "family home," and her
> fame took her to the "city." SHe > was enjoying her life, living
> easy, until she realized that
> women and men were not
> experiencing the
> same "freedoms." As she
> is "zapped between the eyes", by > the so called "freedoms" of
> America that were distributed on > an uneven keel, she was moved
> into action.

So now you _ARE_ saying that it is _ABOUT_ her?

The wonderful thing about song lyrics, Kess, is that individuals can come away with all sorts of interpretations, even those that are tortuously twisted. John says nothing about the "family home" being "working class".

What he does in that stanza, is talk about choices: one can choose to be isolated, one can choose to live amongst others, one can even choose the safety and security of staying in the family nest.

The narrator in John's song speaks of the carefree and frivolous life of an adult bachelor ("living easy without family ties"), who decides to rethink that choice when he gets "zapped" by the "whipporwill of freedom" - and, in fact, he does so in contrast to those who live the exciting single life in the city.

In fact, that's the essence of lyrical poetry: setting up narrational contrasts in order to deliver the message. In this case, it's another translation of that line from 1st Corinthians, "When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things" (1 Corinthians 13:11).

> According to other sources:

> The Elton John song
> "Philadelphia Freedom" is a
> tribute to King (see [1]).

It was dedicated to her and written as a gift to her. John and King both say this. Neither has said that it is "about" her.

> John was and is a friend of
> King's. On the aforementioned
> PBS program, John talked about
> how he brought a demo copy of
> the record to spin for her right > after he had recorded it. (Wikipedia)

Because it was dedicated to her and written as a gift to her. As I say above, I've had my name mentioned in a book dedication before. It didn't make the book _about_ me.

> Single copies of "Philadelphia
> Freedom" carry Elton's
> dedication to "B.J.K.," as well > as to "the soulful sounds of
> Philadelphia" --
> www.superseventies.com

I've referenced the first part of that. I'd read about the "Philly Sound", but didn't consider it germane to the conversation.

> Elton wrote the song chiefly as
> a tribute to Billie Jean King,
> thelegendary tennis player.

Both King and John have characterized it as a dedicated gift to her. Is it a "tribute" in the sense that the song is "about" her? Neither have said that.

> Back in the 70s, she had a
> tennis team called
> the Philadelphia Freedoms.

Which is not in dispute.

> Elton and Billie Jean became
> excellent friends
> in 1973 and, in '74, he decided > he wanted to write a song in
> tribute to her. (about.com)

A) About.com doesn't define "tribute";
B) They also don't reference where John has said that the song is a "tribute" to her, whatever that means.

> I remember the bicentenial. Just > because the mob adopts a song
> for a specific event does not
> make it necesarily about that
> event.

I never said that the song was adopted or even about the bicentennial. I said the song was about freedom, that when _I_ think about the song, I think about the bicentennial, and that the song's release in 1975 was more than coincidental, considering that the following year was the bicentennial.

In terms of the general public's perceptions, however, it was BJK herself who talked about the relationship between that song and the Bicentennial:
"King was flattered by the gesture. “It was wonderful,” she says. “It was the Bicentennial year, and together, it was like our little gift to that great city.”" (http://www.harrisburgmagazine.com/full_story.php?sid=183&issue=27)

> I also remember in 1984,
> everyone adopted "Born in the
> USA" as a patriotic song, when
> in fact it was written as a
> protest, to illustrate how
> vietnam vets were ignored upon
> their return.

Which is clear from a reading of Springsteen's lyrics. No tortured interpretations required.

In the end, Kess, what's your real beef here? That I didn't tip my hat to BJK? I think I've done so now - and I appreciate your bringing some additional facts and alternate interpretations here (seriously).

If your claim is that the song isn't "pro-freedom", well, even in your tortured reading of the lyrics you say that John was saying that BJK was moved into action in securing the freedoms that she and other women have an inalienable right to - and thus it is a celebration of freedom and a call to arms to secure and defend it.

I mean, if you look at some of the other songs on the list, they're not about simply celebrating a system as it is, or pronouncing it perfect. "Biko" isn't about a system of freedom in South Africa that existed in 1977. "Fight the Power" isn't a loving valentine to the United States.

If, in the end, you don't believe the song should be on the list, I think even your own interpretation makes it a worthwhile candidate. And, in any case, it's my list.

Do you take issue with any other entries?

- Andrew Langer

August 31, 2006 12:20 PM

 
Blogger The leftist southpaw said...

uh, no. I promised myself I would try and cut back on the ammount of time I spend on blogs debating the meaning of 31 year old songs. I'm over my alotted time as is. Sorry.

August 31, 2006 10:22 PM

 
Blogger Andrew Langer said...

Sorry to hear that.

You do raise the interesting point - and I'm not proud to say that it has more to do with my own musical tastes than it does with a lack of pro-freedom songs today - that there are very few songs on that list that are less than two decades old.

September 01, 2006 10:19 AM

 
Anonymous Anonymous said...

What a tin ear Langer has, now THIS is a real top ten list...

1) Parvardigar: Pete Townshend
2) She Has Funny Cars: The Jefferson Airplane
3) Wynona's Big Brown Beaver: Primus
4) Indiana Wants Me: R. Dean Taylor
5) Mildred Pierce: Sonic Youth
6) Get 'Em Out by Friday: Genesis
7) Revolution: Robbie Williams
8) Longer Boats: Cat Stevens
9) The Devil Went Down to Georgia: Charlie Daniels Band
10) Into the Sun: Grand Funk Railroad

September 16, 2006 7:51 PM

 

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